30 Second Album Reviews

Now I know what you’re all thinking “Hey, Calvin hasn’t written a really long, over blown post about music I don’t care about or don’t listen to in awhile. What gives?”. Well don’t fear dear readers, because I’m about to talk about a sh*t ton of music that most people haven’t heard of or would never listen to. Get excited! So just sit back and relax, because this post is going be way to long!

Studies show that it takes the average person 30 seconds to read a 6 sentence paragraph*. In light of that information, I’ve decided to debut my newest gimmick: 30 Second Album Reviews.

As most of you should know, I listen to an inane amount of music. In an attempt to justify that, I’m going to be giving paragraph(s) reviews to some of the albums I’ve been listening to as of late. The Albums rating will be on a scale of 1 to 10. Here goes:

Andrew Bird – Armchair Apocrypha
I feel like I’ve already sufficiently proclaimed this album’s awesomeness. Suffice to say it’s for albums like this that I listen to music.
Rating: 9.9 (I’ll give myself some wiggle room here)

Modest Mouse – We Were Dead Before the Ship Sank
A lot of reviews criticized Modest Mouse for trying to write pop songs. I find this critique rather odd, because while this album is definitely the most poppy in their discography, all the songs distinctly sound like them. It’s not like they sold out and quite frankly this album is sufficiently better then 2004’s ‘‘Good News for People Who Love Bad News’’. So what I’m saying is, don’t believe the negative reviews, this album is very good. The highlight songs are: Missed the Boat**, Spitting Venom, Little Motel, Parting of the Sensory.
Rating: 7.7

Jill Cunniff – City Beach
Jill Cunniff was one of the founding members of Luscious Jackson, a band I never listened to and that 99% of you have never heard of. Now that we have that fun fact out of the way, let’s talk about Ms. Cunniff’s brilliant debut album. Sometime this summer mainstream critics are going catch wind of this album write reviews calling Cunniff ‘A mellower Frou Frou’ or ‘An indie Kylie Minogue’. These reviews will all be (mostly) wrong, because while there maybe some similarities between Cunniff and those artists, none of those comparisons do “City Beach” justice. What this album most reminds me of is a female version of ‘Odelay’. Now I’m not saying that “City Beach” should even be mentioned in the same breathe as Beck’s masterpiece, but that’s just what it sounds the most like. I guess what I’m trying to say is that this album is really good, and you should probably check it out.
Rating: 8.3

Arcade Fire – Neon Bible
I should start by saying that I think this album is better then ‘‘Funeral’’, the Fire’s debut album. That said, I like ‘‘Funeral’’ better. Now I realize those are contradictory statements, so please allow me to explain myself. ‘‘Neon Bible” is better, by a very slim margin, then ‘‘Funeral’’ in almost every way. However, what ‘‘Funeral’’ has over ‘‘Neon Bible’’ is/was its freshness. ‘‘Funeral’’ came completely out of nowhere. When I first heard ‘‘Funeral’’ I immediately loved it. And because it was so unexpected, I felt like I was in the honeymoon phase of a relationship every time I listened to it. There’s just no possible way that ‘‘Neon Bible’’, despite being better, can capture that great feeling that ‘‘Funeral’’ had/has. Either way though, ‘‘Neon Bible’’ is still an amazing album and will probably be one of the best albums I hear this year. Also, as previously documented in this space, (Antichrist Television Blues) is on the short list for song of the year.
Rating: 9.4

Wilco – Sky Blue Sky
Um, I’m still not entirely sure of what to do with this album. It’s really good; it’s just not at all what I expected. This album sounds more like classic southern rock then the indie rock you’d expect from Wilco. I suppose this is the logical extension for Wilco to take ever since Summerteeth. I mean, the logical extension of Alt. Country is Southern Rock right? Either way, this album sounds like the best Allman Brothers record ever, which isn’t necessarily a bad thing. Also, like all Wilco albums, this one’s a grower. Meaning I like this album more and more each time I listen to it. If I have any complaints at all about this record it’s that a lyricists as talented as Jeff Tweedy shouldn’t have this many long guitar solos in one of his albums. It’s still really, really good, it just wasn’t what I was expecting at all.
Rating: 8.5

Do Make Say Think – You, You’re A History in Rust
This is probably the best Post-Rock album I’ve ever heard. I’d describe it for you, but it would just be awkwardly written and probably incorrect. If I tried to describe Post-Rock all I’d do is name drop obscure bands and use way too many adjectives. So for your sake, I won’t even try. And since I have nothing else to add here I’ll use this space to point out that Paolo Nutini (google him if you don’t know who he is) looks just like Penelope Cruz.
Rating: 8.5

Ted Leo and the Pharmacists – Living with the Living
In the battle to see who can put out the most similar sounding albums, Ted Leo and company inch closer to Starflyer 59 with their 5th album. Now I don’t mean that last sentence to sound like an insult to either Ted Leo or SF59 (abbreviations are fun!). Both bands put out great music on every record and they both have their own distinct sound that they subtly expanded on with each release. I’ve always liked bands that know what they do well and stick with it. This has always been the case for Ted Leo and co. and this is another solid album for them. Also, ‘The Unwanted Things’, which might be the best song he’s ever written.
Rating: 7.3

Explosions in the Sky – All of a Sudden I Miss Everyone
For their 4th album Explosions changed things up, sort of. They’ve cut about 2-3 minutes off all of their songs, which should make their music more acceptable to the masses. Remarkably though, the band still holds on to the best and most powerful part of their music: the silence. I’ve never heard a band, post-rock or other wise, that utilities silence quite like these Texans. I’m not really sure if this is there best effort to date, but at the very least it’s 1B to “those who tell the truth…”. Again I’d like to explain more about this album, but for everyone’s sanity I won’t.
Rating: 8.2

Bloc Party – A Weekend in the City
This is my front runner for most disappointing album of the year. Whoever produced this thing deserves to be shot. On Bloc Party’s debut album, “Silent Alarm”, the drumming was extremely high in the mix and it sounded like some of the best drumming I’ve ever heard on an album. It made every song. Yet for some reason the drumming on this album have been shoved down into the middle of the mix, thus ruining the main thing that made Bloc Party so great. Fans of this record will argue that the song writing is better on this album, but who gives a sh*t? If I wanted to hear a presumably gay guy write moving Brit Rock songs I’d listen to Coldplay. Shame on whoever decided to lower the drums in the mix for this album and shame on Bloc Party for allowing it.
Rating: 5.0

The Shins – Wincing the Night Away
As you’ve probably heard by now, The Shins went electronic on their newest album. Sometimes it works out splendidly, like the first four songs, especially “Sleeping Lessons”. Sometimes it doesn’t work out as well, like on songs 5-10. However, the last song on the album rights the ship and the album ends on a high note. This album has some incredible highlights, but it’s the weakest record The Shins have ever put out. I guess a drop off should have been expected, seeing as how their first two albums were magnificent. Hopefully this will get rid of all the bandwagon, Garden State fans who find their lives the exact same after hearing this album.
Rating: 7.5

Until We Meet Again
* Stat possibly made up by the author because he thought ’30 Second Album Reviews’ sounded cool.
** The bands best song since 3rd Planet.